ReadingSpace
During the opening days of the 54. Venice Biennale – 31 of May and 1, 2, 3 of June – at the Ex Cantiere Navale in Castello 40 in Venice, Opera Rebis is hosting an exhibition of Italian and international magazines and publications specialized in art, architecture and design. The project aims to provide the public with a wide range of editorial realities that often use independent distribution channels, highlighting their different specificities. The space, set up by the group of designers Piquattropunto, is transformed for the occasion in a temporary reading space where you can browse through magazines, newspapers and books, not very common in Italy.
CRISTIANO PINTALDI LUCID DREAMS
From 4th June to 31st October 2011 Cristiano Pintaldi will be featured in a solo exhibition entitled Lucid Dreams curated by Achille Bonito Oliva and organised by the Rome-based non-profit association Opera Rebis. Lucid Dreams, as part of the official program of collateral events in the 54th International Art Exhibition, la Biennale di Venezia, will be presented in the striking old industrial premises of the former shipbuilding yard at San Pietro di Castello, hosting for the first time a contemporary art exhibition.
How to make a revolution
Anetta Mona Chişa – Lucia Tkáčová
Curated by Antonia Alampi and Lydia Pribisova
Marco Fedele di Catrano achieves the third place at the Terna Prize 03
with the work “senza Titolo”, commissioned and produced by Opera Rebis
We are here
Exhibition – Symposium – Educational Forum on Contemporary Experimental Jewellery
Pagliere di Porta Romana and Salone dei Cinquecento di Palazzo Vecchio
Florence – Italy
Room 19
A performance inside an elevator. A closed, private, intimate action for a few spectators. A restrained and separate vision that evokes a distance, a solitude, that refers to the impossibility of communication.
Stormed
an exhibition which combines atmospheric sounds with a large-scale installation constituted of pure light forms, suspended in a monumental post-industrial space. The project evokes the state of permanent instability of our time, but also the fascination generated by the inability to predict, monitor and quantify natural data, from which we are overwhelmed again.
Once Upon a Time There Was a Future. The Catalogue
The exhibition catalogue has been released Once upon a time there was a future. A limited edition of the magazine boîte DOWNLOAD PDF
Some Sabotage Strategies From Central Europe
Eva Jiřička (1979, Prague, Czech Republic), Kamen Stoyanov (1977, Rousse, Bulgaria) and Anna Witt (1981, Wasserburg am Inn, Germany), are three artists who work in Central Europe, between Vienna and Prague. Their works are linked by a certain practice of sabotage: creating interventions, performances and actions in which, in a subversive way, they insult and reject social rules, conformity and other characteristic phenomena of contemporary society.
Out of the Box
The meeting was an opportunity to publicly present the projects of several non-profit organizations in Rome.
ABOUT ME
workshop on Self-portrait photography.
The starting point of this creative process is everyone’s interior life, from the observation of our face, to our own world, relationships, emotions and the research of a way to project this outward.
Once Upon a Time There Was a Future
An extra institutional context, a former mattress fabrique, hosts the site specific interventions of eleven Italian artists dealing with the architectural and social features of the space and the actual cultural and political crisis of Italian society.